Perth Music

Gyroscope - 1981

Sunday 24th February, 2008
The Bakery, Northbridge
Kate Miller-Heidke
Claire Clarke

After playing the previous night as well as a matinée show earlier in the day Brisbane’s ARIA Award nominee Kate Miller-Heidke fronted an enthusiastic crowd to play her final gig in Perth supported by Perth’s own Claire Clarke. The crowd numbers grew steadily throughout the night but for the start of Claire’s set most people were sitting down in the chilled out setting of The Bakery.

Claire Clarke has been attracting a media buzz lately and with the release of her debut album Unhinged scheduled for next week there was plenty of interest in the room. Playing her songs acoustically with a guitarist and bassist was the perfect way to wind down the weekend while the pop melodies of her songs kept the energy up on stage and in front of it. Mixed in with her album songs were a few brand new ones and a great cover of Alanis Morissette’s ‘You Oughta Know‘. Set to support Vanessa Amorosi on Saturday March 1st there is plenty to look forward to in the imminent future of Claire Clarke.

After a short break Kate Miller-Heidke and band arrived on stage to play a fun filled theatrical pop show. Kate mentioned that she had supported Cyndi Lauper only a few days earlier in the King’s Park Botanical Gardens and that singing ‘Girls Just Wanna Have Fun‘ on stage with Cyndi was a “huge mind-fuck”! Plenty of songs were played from her debut album Little Eve which was released last year as well as songs off her earlier EP’s. The two big highlights of the night were a hilarious song all about Australian Idol and a classical/pop cover of John Farnham’s ‘You’re The Voice‘ with a hint of Queen’s ‘Bohemian Rhapsody‘ in it. The crowd loved every minute of the show and it was a definite relief to see a different kind of pop performance.

You may know David Campbell as Jimmy Barnes’ son. You may know David Campbell as the guy from Channel 7’s It Takes Two this year and last year. But you should know David Campbell as one hell of a swing singer who had tremendous success in 2006 with his album Swing Sessions and the sequel Swing Sessions 2 which was released late last year and just gone double platinum.  At the time of this interview David was still in It Takes Two and was planning a national tour in March to happen at the same time.  David Campbell talked to Justin Middleton for this exclusive interview.

Click here to download the podcast of the entire interview. (11:22 - 1.3Mb)

I asked David how easy the decision was to make a second Swing Sessions album after the first one was so successful. “It seemed pretty logical and there were a lot of songs that Chong (Lim, producer) and I put aside so that if we had a chance we’d like to do some. It was only 2 or 3 songs but there were a whole bunch of songs we thought would be great if we could just sing this. So there was a lot of freedom in doing the second one” David replied.

David added “It came from all directions. My fiancee Lisa wanted me to sing That’s Life (originally by Frank Sinatra) and I’d always wanted to sing Danke Schoen (made famous by Wayne Newton) because I loved Ferris Bueller’s Day Off and he does it in that. So there were lots of different ways of looking at he songs where they were coming from.”

With his national tour starting in a few weeks I asked David how he thought he’d cope with touring and performing on It Takes Two, as long as he is still in. He replied “Well you just have to try and nap as much as you can. It’s all just time management and it’s just a really exciting time. I couldn’t say no to the tour and It Takes Two came up at the same time so we just moved all the dates so that every Monday and Tuesday was free for ten weeks just in case. And if I get out early then I got myself a little weekend knocked up.”

Asked what song David planned on singing this week on It Takes Two with his singing partner Chloe Maxwell he replied “We are gonna do Blue Bayou, the Linda Rondstadt number. We are stripping it back to be really intimate and really small so I am looking forward to that a lot. We are really exposing the fragile side of Chloe. She’s fabulous, a really great person to work with. I think nerves play a big part and she has been a mum for many years. She was a model before and a TV host and she said herself that she had to convince herself she was uber cool just to do it. And at the end of the day she’s just a girl next door who made good. I think we are seeing that more by her doing It Takes Two and we are seeing a real exposed fragile side that she has never shown anyone before. And I’m interested in exploring that more because I think that’s the making of a true artist.”

You can catch David Campbell playing around the country at the following dates:
Sat Mar 1st Jazz In The Vines, Canberra, ACT
Thur Mar 6th Mingarra Recreation Club, Central Coast, QLD
Fri Mar 7th QPAC Concert Hall, Brisbane, QLD
Sat Mar 8th QPAC Concert Hall, Brisbane, QLD
Wed Mar 12th Regal Theatre, Perth, WA
Thur Mar 13th Regal Theatre, Perth, WA
Fri Mar 14th State Theatre, Sydney, NSW
Sat Mar 15th Penrith Panthers (Matinee), NSW
Sat Mar 15th Penrith Panthers (Evening), NSW
Wed Mar 19th Civic Theatre, Newcastle, NSW
Thur Mar 20th Regent Theatre, Wollongong, NSW
Sat Mar 22nd Wrestpoint Entertainment Centre, Hobart, TAS
Wed Mar 26th Hamer Hall - The Arts Centre, Melbourne, VIC
Thur Mar 27th GPAC – Ford Theatre, Geelong, VIC
Fri Mar 28th Her Majesty’s Theatre, Adelaide, SA
Sat Mar 29th Her Majesty’s Theatre, Adelaide, SA

For more info visit www.davidcampbell.com. The album Swing Sessions 2 is out now.

The Starting Line are a pop/punk band from Philadelphia, Pennsylvania who have released three albums with three different record labels. They have experienced the ups and downs of the music industry and are currently on a very big up with their latest album, Direction, being released by Virgin Records late last year and touring tirelessly including their first trip to Australia to be part of the 2008 Soundwave Festival. Guitarist, Matt Watts from The Starting Line talked to Justin Middleton for this exclusive interview.

Click here to download the podcast of the entire interview. (10:19 - 4.8Mb)

Talking about the creation of their third album Matt explains “It was a really organic process. I felt that we were not stressed out at all during the making of the record. We were just in our practice space and the songs came out organically, Kenny (Vasoli, vocalist/bassist) had the bulk of the ideas written and we just kind of put them together. It was probably one of the most fun songwriting processes we’ve had in a long time.”

The bands previous album, Based On A True Story, reached number 18 on the US Billboard Charts but there were major dilemmas during the making of the record between the band and their record company at the time, Geffen Records. “We were undergoing a lot of pressure from the label. There was crazy label stuff going on and we weren’t seeing eye to eye with them because we weren’t making the record they wanted us to make. This time around, with Virgin, they let us have the reins of control and it was really nice. They totally trusted our judgement and we are really thankful for that.” Matt says.

Known for their extensive touring The Starting Line have played with such bands as The Ataris, Sum 41, Yellowcard, Fall Out Boy, Motion City Soundtrack, Reel Big Fish and Panic at The Disco to name but a few, and they will soon be adding another 40 odd bands to that list when they head to Australia for Soundwave 2008. Matt says enthusiastically “Yeah it’s our first trip down under, I’ve always wanted to go there. I’ve been a big fan of Silverchair ever since I was a little kid and they are probably one of my favourite bands. They have been getting better and better and as soon as they released Diorama I was floored by that record. And I’m a huge fan of Natalie Imbruglia. Big, big time Natalie Imbruglia fan.” I then gave Matt the news that Daniel Johns and Natalie Imbruglia are getting divorced. Astounded, Matt replied “NO WAY! Are you telling me I have a shot? Put a good word in for me.”

Having played the American Vans Warped Tour a few times, the band are excited about playing another festival and especially one as organized as Soundwave. Matt explains “It’s a little more rushed (playing festivals). We’ve never really played a festival where we know what time we are playing. With the Warped Tour they tell you what time you are playing every morning so they could wake you up at ten o’clock in the morning and tell you that you’re on in an hour. But with this (Soundwave) everything is set up so it feel almost like it’s a normal show. We know what time we are playing every day so I think it’s going to be pretty cool.”

You can catch The Starting Line playing around the country at the following dates:
24 Feb Soundwaves Festival, Sydney, NSW
27 Feb Gaelic Theatre, Sydney, NSW
28 Feb Prince Of Wales, Melbourne, VIC
29 Feb Soundwaves Festival, Melbourne, VIC
1 Mar Soundwaves Festival, Adelaide, SA
3 Mar Soundwave Festival, Perth, WA

For more info visit www.startinglinerock.com. The album Direction is out now.

PUBLIC VOTED AWARDS
Most Popular Act - The Panics
Most Popular Live Act - Karnivool
Most Popular Single/EP - Gyroscope - Snakeskin
Most Popular Album - Birds of Tokyo - Day One
Favourite Newcomer - Harlequin League
Most Popular Music Video - Gyroscope - Snakeskin
Most Popular Music Website - www.perthbands.com
Most Popular Music Event - Southbound
Most Popular Music Venue - Amplifier Bar

INDUSTRY VOTED AWARDS
Golden WAMi - Peter Barr
Most Promising New Act - Abbe May and the Rockin’ Pneumonia
Best Rock Act - Birds of Tokyo
Best Commercial Pop Act - The Panics
Best Indie Pop Act - Institut Polaire
Best Hardcore/Punk Act - The Homicides
Best Hard Rock/Metal Act - Karnivool
Best Blues/Roots Act - The Kill Devil Hills
Best Funk Act - The Bluejays
Best Electronic Producer - Pendulum
Best Sound Engineer (Live or Studio) - George Kailis
Best Record Producer/Engineer - Dave Parkin
Best WA Record Label - Jarrah Records
Best Jazz Act - Void
Best Country Music Act - The Kill Devil Hills
Best Urban/ Hip Hop Act - Downsyde
Best Electronic Act - Pendulum
Best DJ - Dan the Man
Best World Act - The Flying Carpathians
Best Indigenous Act - Pigram Brothers
Media Award Individual - Dave Cutbush
Media Award Organisation - RTR FM 92.1
Management Award - Steph Edwardes
Best Bassist - Roy Martinez (Dave Mann Collective, Cinema Prague)
Best Guitarist - Ant Gray (Schvendes)
Best Male Vocalist - Brendon Humphries (The Kill Devil Hills)
Best Female Vocalist - Abbe May (Abbe May and the Rockin’ Pneumonia)
Best Drummer - Pete Guazzelli (Fall Electric)
Best Instrumentalist - Tristan Parr (Schvendes, Fall Electric)

2008 saw the Good Vibrations festival try out a new location which many saw as a surprise, especially with the fantastic setup in 2007 at Belvoir Amphitheater. With a reduced temperature in the low thirties, the new location (Heirisson Island) ended up being a dusty and dirty area where thousands of music lovers descended upon to catch some of the world’s best musical acts. Many were there just to see ‘The Ego’ Kanye West, but there many great artists, bands and DJ’s playing all day.

After parking near the WACA and making the trek over the Causeway to Heirisson Island I made my way to the Bacardi Live tent and caught the end of a DJ set by the Bag Raiders. There were plenty of people packed into the B-Live tent, especially near the free water, and considering it was still early in the day, it looked like everyone there was enjoying the set. The remixes that were played were high quality and the dancing that many people were planning on doing for the next 8 hours was interesting, to say the least.

Next up on the main Good Vibrations Stage was American 20 piece band Thievery Corporation. Featuring a sitar, horns, bongos and almost a different vocalist on every song, the exotic bunch drew a larger and larger crowd as their set rolled along. Their style mixed Brazilian with Indian with Jamaican with styles that were somewhere in between and it suit the atmosphere of the festival perfectly. A huge hit for the band and a huge crowd favourite was Lebanese Blonde which had the crowd swaying and bopping back and forth.

Heading down to the Chinese Laundry tent, The Stafford Brothers were starting up their DJ set ready to remix and sample songs from the last thirty years. Their wasn’t as much dancing going on in the Chinese Laundry tent as the B-Live tent but that was mainly because the crowd were busy watching the DJ’s do their thing on the raised stage and just enjoying the Aussie producers/DJ’s.

Back on the main stage Calvin Harris‘ set was just finishing up and the audience seemed to be loving the disco sounds echoing around the island. The electro DJ that was discovered on MySpace only four years ago looked as if he was loving the Good Vibrations tour and at the same time fairly sad that the tour was ending.

After a short break New York’s The Rapture came on the main stage to a crowd that was getting dirtier and dirtier from all the dust and sand kicked up around the grounds. With a sound that fused electro and punk, the four piece thrashed out a set that was fierce and high energy. The crowd grew and grew as the set rolled along and it was obvious that the day was getting to the pointy end and the headliners were not far away.

As Cypress Hill walked on stage a buzz came over the crowd and the excitement was obvious. Before any song was played Sen Dog grabbed a mic and shouted out to the crowd “Roll it up, light it up, smoke it up” with about a third of the crowd responding by holding up cigarettes of all sorts. B-Real and Sen Dog were full of energy throughout their set which included hits such as ‘How I Could Just Kill A Man’, ‘Dr Greenthumb’, ‘Insane In The Brain’, ‘Hits From The Bong’ and ‘Rock Superstar’. Half way through their set there was a small intermission so a 20 foot tall inflatable Buddha with a pot leaf on its tummy could be inflated and the crowd loved it.

After a short break and with the stage being transformed behind a large sheet it was time for Kanye West, fresh from winning a few more Grammy Awards to come on stage. Heavily dressed in a jacket, a scarf and gloves West started off with ‘Good Morning‘, the first song from his new album Graduation, helped out by a couple of backup singers. The set was more of a performance than any of the other acts on the day and included a digital display background specifically created for Wests set, multiple costume changes, a female ‘robot’ controlled by West and one huge ego. During the song ‘I Wonder‘ West played the piano and announced he was “the number one artist in the world” but also joked that he only learned the piano for this one song because he thought it would be cool to play the piano in a rap song. After about 50 minutes on stage West announced that all of the previous songs were just part of the intro and it was time to start the show which lead straight into Gold Digger, Good Life, Diamonds From Sierra Leone, Jesus Walks, a tribute to his late mother and lastly Stronger. All in all, love him or hate him, West put on a show that proved his musical skill and ability to control a stage.

Photos from Good Vibrations can be found here at PerthNorg (Thanks to Noodlez).

Sugar Army have a busy few months planned, with the band set to launch their debut EP Where Do You Hide Your Toys around Australia, before supporting fellow West Australian’s Little Birdy throughout February and March.

Released this Saturday 23 February on new Perth-based developmental label Good Cop Bad Cop, Where Do You Hide Your Toys is an explosive combination of high-energy pop-rock and fragmented chaos.

First single ‘…And Now You’re Old Enough, I Think That You Should Know’ is currently receiving high rotation airplay on Triple J, as well as airplay on community radio nationwide.

With a Triple J Next Crop artist accolade, a slot at the 2007 Big Day Out, and four 2008 WAMi award nominations (Most Popular Act, Most Popular Single/EP, Best Rock Act and Best Bassist) already under their belts, and fresh from supporting Interpol over the weekend, Sugar Army play Beck’s Music Box as part of the Perth International Arts Festival this Friday – their last show before their national tour.

Sugar Army Tour Dates
with Little Birdy
Wednesday 12 March – Oxford Arts Factory, Sydney NSW
Thursday 13 March – The Zoo, Brisbane QLD
Saturday 15 March – The Corner Hotel, Melbourne VIC

Where Do You Hide Your Toys EP Launch Tour
Friday 22 February– Beck’s Music Box, Perth International Arts Festival WA
Friday 7 March - Rocket Bar, Adelaide SA
Saturday 8 March – Miss Libertine, Melbourne VIC
Thursday 20 March – The Evelyn, Melbourne VIC

For more info visit www.myspace.com/sugararmybarracks

New Zealand rockers Shihad have been a bit quiet the past few years but in 2008 they are set to get back to their rockin’ best with the release of their 7th album, Beautiful Machine. They are a band that has done almost the impossible in surviving almost 20 years, 7 albums and even 2 different names. Now are they about to head off on an almost national tour of Australia to display what the Kiwi pubic are so proud of. Drummer, Tom Larkin from Shihad talked to Justin Middleton for this exclusive interview.

Click here to download the podcast of the entire interview. (11:14 - 1.3Mb)

I asked Tom to describe the creation of the album which has been nearly three years since the last Shihad album. “Essentially, after we did (Love Is The New Hate) we kinda had a practice room and started coming up with ideas related to the next one and one of the things a band does naturally is explore different territory as to wherever it is at the time. So we had a whole bunch of stuff and there was a kinda thread coming up that was really exciting us, that was noticeably more of light, more different. We basically started opening up on that, on those ideas and following that path and that turned into the better part of a year and a half and turned into Beautiful Machine” he explained.

The name Beautiful Machine is an interesting one and I asked Tom why it was chosen. “It is essentially about all those things we see as beautiful machines, be it humans or pieces of technology. Jon (Toogood) wrote it about a photograph Voyager took looking back on Earth. He looked at that photo and went ‘Wow what a beautiful machine’ and then it became a metaphor for all sorts of things.”

With the band being around for nearly 20 years and this being their 7th album release, it could be said that the band itself has turned somewhat into a beautiful machine. Tom added “Absolutely because there are a whole bunch of things that we do that are utterly instinctive and reactive off each others presence. At the same time, and I think this album is an indication of it, you have to refresh what you are doing and refresh how the machine works, so to speak, otherwise it becomes stagnant very quickly.”

Having just played the Auckland leg of the Big Day Out festival and heading out on a East Coast tour of Australia I was interested to see if Shihad treat the Big Day Out shows differently than their own shows. Tom answered “I think you have to treat it as another gig. It’s an easier gig to do because of the amount of care they take of you. But it’s a very important show to us so we always make sure we are across everything. To play to a large audience really requires a lot of experience playing to smaller audiences really.”

The first single from the album is “One Will Hear The Other” which has just started to come on the radio. Tom had this to say about the single “It was one of those tunes that we kept coming back to, it sounded like the name was catchy and it was really, really nice. But it was also a spirited track, it was kinda slamming at the same time. It was one of those tracks that came out and really changed the direction of the whole album and one of the tracks to really hang everything off….It was a really, really, really good track and it just kind of followed us around and we all just thought it was the clear first single and a lot of people around us thought the same thing.”

For more info visit www.shihad.com. The album Beautiful Machine is out April 2008, 1st single One Will Hear The Other is out now.

You can catch Shihad playing around the country at the following dates:
Thu Feb 21 - ANU Bar, Canberra, ACT
Fri Feb 22 - The Mona Vale Hotel, Mona Vale, NSW
Sat Feb 23 - Caringbah Bizzo’s, Caringbah, NSW
Tue Feb 26 - Orange Ex-Services Club, Orange, NSW
Wed Feb 27 - The Oxford, Bathurst, NSW
Thu Feb 28 - Capital Saloon, Wagga Wagga, NSW
Fri Feb 29 - Edge Hotel, Buronga, NSW
Sat Mar 1 - Pretoria Hotel, Mannum, SA
Sun Mar 2 - Fowlers Live, Adelaide, SA
Wed Mar 5 - Hallam Hotel, Hallam, VIC
Thu Mar 6 – Hotel Shoppingtown, Doncaster, VIC
Fri Mar 7 - 21st Century, Frankston, VIC
Sat Mar 8 - Ferntree Gully Hotel, Ferntree Gully, VIC
Sun Mar 9 - Westernport Hotel, San Remo, VIC
Mon Mar 10 – Push Over Festival, Abbotsford, VIC
Wed Mar 12 - The Hoey Moey, Coffs Harbour, NSW
Thu Mar 13 - Hotel Great Northern, Byron Bay, NSW
Fri Mar 14 - The Zoo, Brisbane, QLD
Sat Mar 15 - Coolangatta Hotel, Gold Coast, QLD
Sun Mar 16 - Sands Tavern, Maroochydore, QLD

The University of Western Australia is set to explode into life on Friday 29th February as over 4000 students flock to O’Day for the biggest campus event of the year. O’Day is an orientation festival for UWA students and the general public alike, showcasing the university’s many clubs and societies and culminating with an outdoor concert on the Oak Lawn.

The day kicks off on James Oval, where festival-goers can immerse themselves amongst the hundreds of market stalls, club and society stalls, exhibitions, performances and activities. Cultural societies serve up fresh international delicacies and many clubs offer good old sausage sizzles, while local and international sponsors deliver up plenty of freebies (think Red Bull, Lipton Ice Tea and Brumbys, to name a few!) The day is also crammed full of raffles and competitions: last year saw many giveaways including a laptop, mobile phone, iPod and helicopter ride and this year is set to be even bigger.

The main event of the day is the Oak Lawn concert, free for Gold Guild members ($20 for everyone else), which this year features Aussie rockers Karnivool and Bluejuice as headliners. Returning to Perth after a US tour as well as playing the Big Day Out across Australia, Karnivool were recently featured in the Triple J Hottest 100 for their cover of “The Only Way”. They cleaned up the WAMi Awards last year with prizes for “Most Popular Act”, “Most Popular Live Act”, “Best Male Vocalist” amongst others, solidifying their reputation as Australia’s most avant-garde heavy rock outfit.

Joining Karnivool will be Sydney band Bluejuice, whose hit single “Vitriol” was voted in at #11 in the Hottest 100 this year, as well as being the most reported alternative song on national radio.

Also appearing at O’Day are UWA’s very own Black Market Babies, who took out 3rd place at last year’s National Campus Band Competition State Final. The Babies have been ripping up the local music scene, playing with the likes of Sugar Army, Streetlight and Harlequin League - and now return to home turf for the O’Day concert.

O’Day is presented in partnership with Telstra, Jim Beam, Basement and The Deen. More information on O’Day is available at http://www.guild.uwa.edu.au/home/activities/orientation_day

We have 5 double passes (worth $40 each) to giveaway for 5 lucky readers. Just email your name, address and contact number to perthmusic@gmail.com with ODay in the subject line.

He hasn’t been an Australian Idol for years but Guy Sebastian has sold over a million albums and singles in Australia alone. Having released three successful albums (Just As I Am, Beautiful Life and Closer To The Sun) Guy was able to fulfill a big dream of his and record a soul album with the original MG’s who were also members of the Blues Brothers Band. Guy Sebastian talked to Justin Middleton for this exclusive interview.

Click here to download the podcast of the entire interview. (12:37 - 1.4Mb)

Working with your music idols on your own album is a huge thing for an artist so I asked Guy what it was like for him to work with The M.G’s. “It was pretty daunting, I mean these guys I’ve watched since I was a young kid. I had heaps of DVD’s and stuff of The M.G’s playing for people like Otis Redding, Wilson Pickett, Sam & Dave. All my favourite soul DVD’s are these two white guys Don Dunn and Steve Cropper, with Al Jackson Jr on drums and Booker T on keys and I had watched that band play with so many different artists, so for me they were like the bees knees. I actually had my computer desktop as Otis Redding and The M.G’s and nowI’ve been seeing posters saying Guy Sebastian and The M.G’s. It’s pretty trippy.”

“I just thought what on Earth am I going to do to impress them basically. They have worked with the best - Elvis, The Beatles rate them as one of their influences. So I was a bit nervous at first but that all went away pretty quick because of the nature of what these guys are like. They are really, really sweet guys and really accepting and they made me feel like I was a really good singer” Guy explained.

With such soul hits as Soul Man, Knock On Wood, In The Midnight Hour, Take Me To The River, Hallelujah I Love Her So and Under The Boardwalk featured on the album I asked Guy if it had always been a plan to someday record a soul album of his favourite songs. “It was a bit out of the blue. I just didn’t know that I’d have an opportunity to work with people like The M.G’s I guess. It wasn’t really something I planned or expected to happen. It really doesn’t happen very often. For me the opportunity came up and after my management sent some demos they said yes and I headed over to Memphis. I mean they all live in different states, they are all in different places and for me to get them all together was a bit of a minor miracle in itself because they are all nearly 70 years old…There was a 50 year anniversary of soul music in Memphis so they were all together and it just all worked beautifully.”

With the upcoming tour around Australia beginning at the end of February, Guy couldn’t believe his luck when The M.G’s agreed to actually go on tour with him. “It is going to be awesome, I can’t wait. They are soul legends and to have them play my music and to play their music is a dream, it really is. It is crazy, I can’t wait for them to get here.”

The Memphis Album is out now.

You can catch Guy Sebastian playing around the country at the following dates:
26th Feb Bridge Hotel, Sydney, NSW
27th Feb Bridge Hotel, Sydney, NSW
29th Feb Canberra Theatre, Canberra, ACT
1st Mar Palais Theatre, Melbourne, VIC
2nd Mar Wrestpoint Entertainment Centre, Hobart
4th Mar Regent Theatre, Wollongong
6th Mar State Theatre, Sydney, NSW
7th Mar South Sydney Junior Rugby Club, Sydney, NSW
8th Mar Revesby Workers Club, Sydney, NSW
9th Mar Penrith Panthers, Penrith, NSW
9th Mar Penrith Panthers, Penrith, NSW
12th Mar Civic Theatre, Newcastle, NSW
13th Mar Campbelltown RSL, Campbelltown, NSW
14th Mar QPac Concert Hall, Brisbane, QLD
15th Mar Seagulls Club, Gold Coast, NSW
20th Mar Adelaide Festival Theatre, Adelaide, SA
22nd Mar Perth Concert Hall, Perth, WA